Thursday, November 21, 2019

In the Land of Apsaras



Cambodia for me is a country of light and darkness- both metaphorically and literally. Years back when I first read about the temples of Angkor in history books, I assumed that the history of these sites is fully known and documented. Well, it is not. There are gaps in our understanding of why these marvelous places were built and abandoned. In my imagination, the scale of these temple was also far smaller than I actually found them. World’s largest religious sites of Angkorwat temples is spectacular in its scale, design and motifs. It was enlightenment at its peak- before nature engulfed it in its roots- literally.

Earlier this month, standing in the Phnom Penh Genocide museum, I felt a chill down my spine. The audio guide in my ears was narrating one horror after the other inflicted by Khmer Rouge, and my mind was struggling to accept that the people whose ancestors in 12th century achieved such unconceivable engineering feat at Angkorwat , can go so foolish in their attempt to turn the clock back, to carry out such inhuman atrocities on their fellow men and women. And then for two decades there was darkness. And now again, the country is raising a toast to its heritage as well as its future. A zigzag of light and darkness- very much like the Indian myths.

It is always interesting to find your childhood motifs and characters in far off lands. I was mesmerized by Bali few years back to see the sameness of culture. Now in Siem Reap, it was again the statues of Ganesh, Varun, Vishnu and Buddha that reminded me of India’s centuries old international relations. But historically, the influence came to these part not directly from India, but via Sri Lanka. But there is so many Indian tales around Angkorwat that one cannot mistake the cultural continuation. Now that the west-propagated theory of “discovery” of these temples by a lone European in the dense jungles, has been junked, one would like to believe that these monuments continued to be revered by local Khmer people always.

It is believed that the spatial dimensions of Angkor Wat Temple parallel the lengths of the four ages (Yuga) of Hindu thought. Thus the visitor to Angkor Wat who walks the causeway to the main entrance, is metaphorically travelling back to the first age of the creation of the universe. The central tower is Mount Meru, with its surrounding smaller peaks, bounded in turn by continents (the lower courtyards) and the oceans (the moat- Big Barray). The seven-headed naga (mythical serpent) becomes a symbolic rainbow bridge for humankind to reach the abode of the gods. To top it on 4 sides of the city there are bridges adorned with the statues of Devas (Gods) and Asuras (Demons) in the famous “Amrita Manthan” – Churning of sea to get the pot of nectar.

But what many people never realize till they reach Angkor is that Angkor Wat is just one of the many temples in the Angkor. Each temple is unique in its own way. I still dream of the unbelievable roots strangling the ruins of Ta Prohm and the 216 smiling, serene faces were carved onto gigantic towers at Bayon Buddhist temple. I fell in love with the smaller but uniquely built temple of Neak Pean , the entwined serpent . The entry to this temple was through A fascinating fact about all these temples is that unlike in India, existence of Buddhist statues with statues of Vishnu marks no contradiction or inconsistency in their beliefs. After all, Buddha was among the ten avataras of Vishnu.

Yes, all this was very impressive and spectacular. But even beyond temples, Siem Reap was a delightful place. Though we never managed to see the famed sunrise, the beautiful waterlilies and lotus in every pond on both sides of the road was a sight to behold. Equally charming was the Apsara (nymph) motif which was present everywhere. 

The roots of strangler fig tree were so dramatic and were adding to the romance of the place. Not to miss the unique TukTuk as our mode of transport was superb. Luckily for us, mostly during our stay it was a light drizzle or overcast. While it may have affected the dramatic pictures adversely, it was great help to me in climbing those innumerable stairs of temples and other complexes.


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